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Sunday, 3 December 2023
God and Mr Fry
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Thank God for Stephen Fry. Actually, let’s leave God out of it. It’s Stephen Fry himself I want to thank. When I despair at the human race,...
17 comments:
Monday, 13 November 2023
The Killer (review)
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Today I went to the cinema, which is something I haven't done in quite a while. What tempted me back to the big screen? David Fincher...
5 comments:
Monday, 30 October 2023
A deal with Death
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Some years ago, my wife and I spent a week at Shute Gatehouse, a place owned by The Landmark Trust that you find by turning off the main r...
2 comments:
Thursday, 24 August 2023
Winding your way down Yancy Street
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I’ve never been to New York in the summer. And in particular I’ve never been to the Lower East Side in summer in the early 20th century. Yet...
2 comments:
Monday, 1 May 2023
A far cry from cave paintings
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Following on from last time's discussion of AI artwork in comics, there is the question of copyright. US law allows AI-generated art to...
Wednesday, 12 April 2023
The power loom approach to illustration
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The other day I was adding some notes to my Mirabilis plot summary. I have a good 15,000 words now, as well as the full scripts for the fir...
3 comments:
Friday, 31 March 2023
According to the mighty working
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In Bright Young Things (Stephen Fry’s adaptation of Vile Bodies ), the protagonist Adam arrives at Dover and in a scene played for broad f...
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